I guess I was supposed to be a movie maker. We're talking—we started with the movie making and will end. I mean, it—it represents something very strong, very powerful in terms of law and order. Our country needs law and order.
Alcatraz is, uh, I would say, the ultimate, right? Alcatraz. Sing Sing and Alcatraz. Eh, the movies. But, uh, it's right now a museum, believe it or not, a lot of people go there. It housed the, uh, most violent criminals in the world, and nobody ever escaped.
One person almost got there. But they, as you know the story, they found his clothing rather badly ripped up. And, uh, it was a lot of shark bites, lot of, a lot of problems. Nobody's ever escaped from Alcatraz. And just represented something, uh, strong having to do with law and order.
We need law and order in this country. And so we're going to, uh, look at it. Some of the people up here are going to be working very hard on that. And, uh, we had a little conversation. I think it's going to be very interesting. We'll see if we can, uh, bring it back in large form, add a lot.
But I think it represents something. Right now it's, uh, a big hunk that sitting there rusting and rotting, uh, very, uh, you look at it, it's sort of a [unintelligible]. You saw that picture that was put out. It's sort of amazing.
But it sort of represents something that's both horrible and beautiful and strong and miserable. Weak. It's got a lot of, it's got a lot of qualities that are interesting. And I think they, they make a point. Okay.
Guess who...
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